Another highlight is nineteenth-century art, where the museum has sizable ensemble of paintings by Arnold Böcklin and Ferdinand Holder as well as outstanding works by Claude Monet, Camille Pissarro, and Vincent van Gogh. Novartis HQ Basel, Roche Tower Thus the galleries vary in size and in some cases are larger than those in the main building. Once the Burghof site had been purchased, we were able to invite entries to an anonymous competition for the building to be erected there. The elements that define them are clearly articulated components; assembled, they generate a tectonics that maximizes the architectural effect of the whole. Courtesy Kunstmuseum Basel. for the collection the upheavals that such shows are wont to cause, that triggered the search for a suitable premises close to the existing museum in which to install a dedicated exhibition infrastructure. With the opening of the extension to the Kunstmuseum in April 2016, another venue was added to Basel’s cultural wealth. Photo Stefano Graziani. Basel Architecture, Switzerland : Buildings. Kunstmuseum Basel Finally, in 1936, the museum’s treasures found a permanent home in the present-day main building on St. Alban-Graben. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. Besides, what makes the new building’s exhibition spaces so attractive is the fact that they can be used with absolute flexibility. Curators were therefore obliged to improvise, which they did by temporarily repurposing the galleries earmarked for the permanent collection. Thus it encompasses both a large foyer and, thanks to the daylight supplied by the aforementioned courtyard, the first of the exhibition spaces. In the initial days, the museum was housed in 16th century Haus Zur Mücke, which was later transferred to a museum designed by architects Rudolf Christ and Paul Bonatz in 1936. The Kunstmuseum Basel project was designed by Swiss architects Christ & Gantenbein from Basel. You'll now receive updates based on what you follow! The first-floor equivalent of the skylights that were a conditio sine qua non of the second floor are the tall windows built into the side walls which, besides flooding the galleries with light, also permit wonderful views across the city and lend vivid immediacy to the architectural presence of the main building across the street. The Kunstmuseum Basel's main building was designed by two architects – Paul Bonatz from Stuttgart and Basel-based Rudolf Christ, who is in fact the great-uncle of … Design Team Emanuel Christ (Lead Architect), Christoph Gantenbein (Lead Architect), Julia Tobler (Project Manager, Extension), Michael Bertschmann (Project Manager Extension), Stephanie Hirschvogel (Project Manager Main building Renovation) In the LinkedIn archipelago of corporate information, we seldom see any articles about the actual design or the details of projects that impact our living environment. The museum’s division of twentieth-century art focuses on Cubism (Pablo Picasso, Georges Braque, Fernand Léger), German Expressionism (Ernst Ludwig Kirchner, Franz Marc, Paul Klee, Oskar Kokoschka), Abstract Expressionism (Mark Rothko, Barnett Newman, Clyfford Still, Franz Kline) and American art after 1960 (Andy Warhol, Jasper Johns, Frank Stella, Donald Judd, Cy Twombly). photo : Novartis Courtesy Kunstmuseum Basel. The rooms have a powerful physical presence. Home > Switzerland buildings > The Kunstmuseum in Basel, Switzerland, The Kunstmuseum, Basel Building, Swiss Design, Architect, Images, Amerbach Cabinet Project, Öffentliche Kunstsammlung: Art Gallery Building in Switzerland – design by Christ & Gantenbein, architects, Extended Kunstmuseum Basel opens mid April. As the planning work progressed, this underground passage on the first lower level acquired an ever sharper profile as a generously dimensioned access area far removed from conventional notions of tunnels as dark and narrow conduits. Then there is the LED frieze combining state-of-the-art IT with a traditional neoclassical frieze like the one that adornes the facade of the museum of 1849 by Melchior Berry on Augustinergasse, which for a long time housed the Öffentliche Kunstsammlung. And while The Museum of Modern Art in New York has indeed become a benchmark for modern and contemporary art, it does not have the echoing chamber of a collection of Old Masters, as the Kunstmuseum Basel does. It was purchased by the city and the university in 1661 and displayed to the public starting in 1671, arguably making it the world’s oldest municipal art collection. The Kunstmuseum Basel’s treasures include some of the finest art of the Renaissance in the Upper Rhine Valley such as the world’s largest collection of works by the Holbein family as well as masterpieces by Konrad Witz, Martin Schongauer, Lucas Cranach the … Design: various architects – photos In April 2016, the Kunstmuseum Basel is opening its new building, increasing its exhibition space by approximately two thirds. A donation to the Basel-City canton made possible the unique opportunity to finally realize a necessary spatial expansion - through a new building - on a neighbouring parcel. Contemporary Architecture in central Europe. The choice of industrial parquet flooring in the galleries deserves a special mention here. The supporting wall made of concrete with gray rendering is similarly explicit, as is evident in the door and window reveals. The main building of Kunstmuseum Basel, dating from 1936, was designed by Basel-based architect Rudolf Christ together with master builder Paul Bonatz from Stuttgart, both advocates of … Kunstmuseum Basel | new building. Here starts the central staircase of the new building, which echoes motifs of that in the main building: gray, veined Bardiglio marble from Carrara on the floor and rough scraped plaster in a cooler shade of gray on the walls. By contrast, the gallery suites as such are structured by right angles. 1, 4052 Basel… The Kunstmuseum Basel houses the largest and most significant public art collection in Switzerland, and is listed as a heritage site of national significance.. Its lineage extends back to the Amerbach Cabinet, a collection of works by Hans Holbein purchased by the city of Basel in 1661, which made it the first municipally owned and therefore open to the public museum in the world. Most recently, we have added a third venue: a new building has risen across the street from the main building, to which it is connected by an underground passageway. Thus, while the new building does indeed speak the same language as its counterpart, the story it tells is a different and novel one. The winning project submitted in the second stage of the selection process already bore all the distinctive hallmarks that were to be developed as planning progressed, above all the concave “kink” that references a historical group of houses, and lends an exterior presence that might otherwise seem monolithic, a wonderful, almost playful, lightness of touch. A folding mass of variegated brick constitutes the confident new addition to the Kunstmuseum Basel, designed by Swiss firm Christ & Gantenbein. If at all possible, the new building was to be situated in the immediate vicinity of the main building, thus becoming an integral, and indeed assertive, part of its specific urban context. Together with the foyer zones, the staircase describes a free and expressive  figure in space illuminated from above by a large round skylight. In the specific case of the Kunstmuseum, we chose brick because of its inherent qualities of timelessness, essentiality and sustainability. Many of Tinguely's kinetic art sculptures are on permanent display, so it is a fantastic museum to visit with kids. Architects: Christ & Gantenbein, Basel. Not only did this necessitate many ad hoc rehangings, but it also had the effect of decimating the second-floor galleries and gravely impairing the unparalleled tour of Modernism that they might otherwise offer. A large foyer with room for up to a thousand people that could be used for openings, symposia, performances, concerts, and lectures was considered especially desirable. The Kunstmuseum Basel project was designed by Swiss architects Christ & Gantenbein from Basel. The new building’s roof line is level with that of the existing structure, so it meets its counterpart on an equal footing; its entrance looks out toward the main building’s arcades, which conversely enjoy an excellent view of its striking façade. The enlarged Kunstmuseum Basel (left: new building; right: main building). Kunstmuseum Basel. The history of the Kunstmuseum Basel dates back to a collection of works by Hans Holbein that the city of Basel purchased in 1661. Visibly fronting it, but set back at the edges, is the solid, ten-centimeter- thick plasterboard wall that serves as both substrate and backdrop for the paintings. It was designed by Ticinese architect, Mario Botta, and opened in October 1996. The extended museum comprises two directly interrelating buildings on opposite sides of the street. The new and enlarged museum consists of two buildings that together form a unified presence in the urban space. But at the recently-opened addition to the Kunstmuseum Basel, designed by Swiss architects Christ & Gantenbein in collaboration with design group iart, … The rooms vary widely in size, ranging from cabinet to large hall. Designed by renowned Basel-based architects Christ & Gantenbein, the extension is connected by an underground passageway to the main building across the street. The Kunstmuseum Basel’s Hauptbau was completed in 1936 based on plans by the architect Rudolf Christ (Basel) and his colleague Paul Bonatz (Stuttgart), two representatives of a conservative modernism. As a place for the exhibition and preservation of art as well as events, it embodies both a new departure and continuity. The Kunstmuseum Basel ranks among the most renowned institutions of its kind in Europe and beyond. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. Swiss architects Christ & Gantenbein have been awarded first prize in a competition to design an extension to the Kunstmuseum in Basel. Light is the medium. Following the conceptual logic of the design, these are spread over all four of the floors that are open to the public, and actually monopolize the whole of the first and second floors. Numerous colours, easy to install. The idea was that it should enter into a dialogue with the main building; not to outshine it, but to enhance and empower it. ARGE Generalplaner KME Basel,Christ & Gantenbein AG / Peter Stocker AG. Bank by Mario Botta (Aeschenpl. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. That these would draw on works from all parts of the collection was a point the architects should be reminded of, I felt. Architect Planning: Herzog & de Meuron, Basel, Switzerland Structural Engineering: Walther Mory Maier, Bauingenieure AG, Basel, Switzerland Client Construction and Transportation Department, Canton Basel-Stadt As a result of Christ & Gantenbein’s extension, the enlarged Kunstmuseum consists of two buildings forming a unified presence able to redefine a prominent location in the city of Basel. The book will be published in April. Completed in 2016 in Basel, Switzerland. The overriding aim was to upgrade the infrastructure of the Kunstmuseum Basel as custodian of a world-famous collection, and to strike a balance between our collecting and exhibiting activities. 2016 - Completed in 2016 in Basel, Switzerland. The new extension was designed by Basel based architects Emanuel Christ and Christoph Gantenbein. It accommodates special exhibitions as well as presentations of art from the collections. Designed by the Basel-based architecture firm Christ & Gantenbein, the new building is also a fresh highlight in the city’s architectural landscape. Kunstmuseum Basel | new building. Important ensembles of works from recent decades by artists including Joseph Beuys, Gerhard Richter, On Kawara, Louise Lawler, Simon Starling, Olafur Eliasson, Rosemarie Trockel, Pierre Huyghe, and Gabriel Orozco round out the collection. Architect: Main Building was a collaborative work with the city people ; New Building Christ & Gantenbein Date: Main Building 1936 ; New Building 2008 Location: Basel, Switzerland Hours of Operation: 10 – 20 The Kunstmuseum in Basel is one of the largest historic and modern art collections in all of Europe, being the home to several exclusive paintings, sculptures, and literature. post updated 13 Mar 2020. Courtesy Kunstmuseum Basel. With the inauguration of the new building and the reopening of the refurbished main building in mid-April 2016, the Kunstmuseum Basel now has three venues for the presentation of its treasures. It was the first time the art crowd had a chance to check out the newly expanded Kunstmuseum Basel, designed by local firm Christ & Gantenbeim. Surprising juxtapositions of material and form define an architecture that seems both archaic and boldly contemporary, characterized by the digital frieze that animates its monumental facades. The Kunstmuseum’s main building on St. Alban-Graben designed by Christ & Bonatz in 1936 was therefore modernized in parallel to work on the new building. 03.02.2019 - Erkunde Lucie Langes Pinnwand „Kunstmuseum Basel“ auf Pinterest. They are in direct communication with each other across the street that runs between them. the world's most visited architecture website, © All rights reserved. This order is visualized through the brickwork’s different shades of gray as well as a frieze executed as a delicate relief. The new and enlarged museum consists of two buildings that together form a unified presence in the urban space. As there were no plans to hold major exhibitions at the Kunstmuseum initially, the 1936 Christ & Bonatz building was not furnished with the necessary wherewithal in terms of But you can also discover many masterpieces of the 17th to 19th centuries. This extension consists of a new building built on the area opposite the structure dated 1936. Take in top city attractions such as Basel Minster, the Barfüsserkirche, City Hall, the Museum der Kulturen and Tinguely Fountain. Their job was rather to create a space that would make just as good a backdrop for the art of the Renaissance and of the seventeenth, eighteenth, and nineteenth centuries. Images by Walter Mair, Stefano Graziani, Pablo Casals Aguirre. The Kunstmuseum Basel’s Hauptbau was completed in 1936 based on plans by the architect Rudolf Christ (Basel) and his colleague Paul Bonatz (Stuttgart), two representatives of a conservative modernism. They are in direct communication with each other across the street that runs between them. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. Architect Emmanuel Christ of Christ & Gantenbein and Valentin Spiess of iart met for a discussion about the joint collaboration, and they are amazed how close they have kept to … Text: Bernhard Mendes Bürgi Despite featuring works by Frank Stella, among others, the foyer does not actually constitute an exhibition space as such. The creation of additional in situ storage space, first and foremost a specially air-conditioned area to be set aside for the photography collection that has grown considerably in recent years, was also high up on our wish list. In 2008, the museum acquired land on the other side of Dufourstrasse and an architectural competition was held. They should certainly not imagine that the only works that would ever hang there would be Modernist or later—works for which the proverbial white cube counts as the ideal space. The new and enlarged museum consists of two buildings that together form a … ArchDaily 2008-2020. The Kunstmuseum Liechtenstein was built by the Swiss architects Meinrad Morger and Heinrich Degelo, along with Christian Kerez. Once widely used, it has become quite rare in recent years, although its sensational reinterpretation at the hands of Christ & Gantenbein makes it once again contemporary. Photo Julian Salinas. The main building (opened 1936) and the Kunstmuseum Basel | Gegenwart (opened 1980), which is sited in close vicinity on the banks of the Rhine, are to be complemented by the new building. It was originally conceived solely for the presentation of the museum’s collections. Weitere Ideen zu Kunstmuseum, Museum, Basel. The Academy of Art and Design is also housed in the new quarter, which occupies a former industrial estate, the Dreispitz area on the southern outskirts of Basel. Follow a guide through Basel’s pretty Old Town and gain insight into its 15th-century history. The Kunstmuseum's main building was designed and constructed 1931-1936 by architects Paul Bonatz and Rudolf Christ, adjacent to the former building of the Swiss National Bank in Basel.. The Kunstmuseum Basel’s Hauptbau was completed in 1936 based on plans by the architect Rudolf Christ (Basel) and his colleague Paul Bonatz (Stuttgart), … Surprising juxtapositions of material and form define an architecture that seems both archaic and boldly contemporary, characterized by the digital frieze that animates its monumental facades. In 2013, the London Times named the Kunstmuseum Basel the world’s fifth best museum. The linear LED lighting is built into the concrete ribs in the ceiling, which, besides making for structural clarity, also accommodate the HVAC ducts. Basel Architecture, Switzerland : Buildings. The first major enlargement came in 1980, when the Museum für Gegenwartskunst—one of the world’s first dedicated museums of contemporary art, it is now known as Kunstmuseum Basel | Gegenwart—opened its doors on St. Alban-Rheinweg. The spirit of a world-renowned collection and the unique architecture that houses it combine to activate ON; the first of a new series of live events by the Kunstmuseum Basel. The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. post updated 13 Mar 2020. Best of Show 2017 The light frieze was co-created by iart’s engineering and design team and architects Christ & Gantenbein. Courtesy Kunstmuseum Basel. The design was chosen from 23 … By using this website you accept our cookie policy Read more Accept Read more Accept The need to obtain orthogonal exhibition spaces from an irregularly shaped plot, which being relatively small had to be exploited to the full, was likewise an important factor informing the architects’ design. Basel Building, Swiss Architects, Images, New Architecture Switzerland. Earlier efforts to enlarge our architectural infrastructure culminated in the erection in 1980 of one of the world’s first museums of contemporary art on St. Alban-Rheinweg, an annex that was likewise renovated in 2005. Kunstmuseum Basel St. Alban-Graben 16 4051 Basel Switzerland pressoffice@kunstmuseumbasel.ch www.kunstmuseumbasel.ch Facebook / Twitter / Instagram. Recent years have seen not only a steady stream of acquisitions, especially of contemporary art, but also an intensification of our exhibition activities with major shows of Hans Holbein the Younger, Pablo Picasso, and, most recently, Charles Ray—to name but a few. photo : Roland Halbe, Comments / photos for the The Kunstmuseum in Basel page welcome, Swiss Architecture News: Buildings Designs, Schindler Campus Ebikon Building, Lucerne. On the Content of the New Building They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. Remodeling of Kunstmuseum Basel and Laurenzbau Library - 2001–2007 . Not only do they lend the ceiling its own specific structure, they also give direction to the space underneath. This extension consists of a new building built on the area opposite the structure dated 1936. The extended museum comprises two directly interrelating buildings on opposite sides of the street. The new building designed by the Basel-based architects Emanuel Christ and Christoph Gantenbein provides additional space … Herzog & de Meuron Kunstmuseum Basel. swiss firm HHF architects together with chinese artist ai weiwei recently collaborated on a proposal for the international competition to design an extension for … It frames the intersection, effectively turning it into its own forecourt. Behnisch Architekten Photo Julian Salinas. It has a long established tradition with a collection of works representing the highest artistic standards. As a place for the exhibition and preservation of art as well as events, it embodies both a new departure and continuity. Together they have created a museum building of great structural complexity and discreet simplicity. Photo Walter Mai. The enlarged Kunstmuseum Basel (left: new building, right: main building). Kunstmuseum Basel | Gegenwart. The Interaction of Art and Architecture Each  floor of the new building has two exhibition tracts connected vertically by the monumental central staircase. We understand it as neither a repetition nor a copy of the main building, but rather as an emphatically contemporary, forward-looking building capable of accommodating completely new forms of art and the engagement with it. The frieze, in its archetypal form, has always been part of the traditional architectural canon, but in the form it takes here it represents something quite new: sunk into the grooves of the frieze blocks are strips of LEDs that illuminate the hollows between the bricks, shedding an indirect light into the surrounding urban space. The Kunstmuseum Basel is considered one of the most prominent art museums worldwide. Christ & Gantenbein is an international practice dedicated to the broad realm of architecture. Founded in 1998 by Emanuel Christ and Christoph Gantenbein, and headquartered in Basel, Switzerland, the office employs a team of over 80 architects from 20 countries. The main stipulations of the concept, therefore, were that the galleries be centrally located, that the architecture in the exhibition areas support rather than dominate the art, and that the main and the new buildings be physically connected. The new building’s distinctive inverted corner is a symbolic response to the old Kunstmuseum’s no less distinctive projecting corner. infrastructure. In a city whose reputation has become associated with high art, the new building updates this important Basel institution, bringing it to the standards expected of a major cultural destination. 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